Culture

What the texts record about life in the Indus cities, topic by topic, each claim with the test behind it.

Many signs name the objects of worship and sacrifice: the altar, the post, the lamp, the mortar, the strainer, the jars, the trident and the deity. When such signs stand together in a fixed order, the order can be set beside rites known from later Indian tradition. This section records what the texts show and the test behind each claim. It records a continuity of practice. It does not claim that the Indus language was Sanskrit: the Sanskrit words are labels for the meanings.

The soma rite

The sign IS1388, a stalk with hatched branches and a hatched crown, is read soma. It stands in a formula found at Mohenjo-daro, Harappa and Dholavira:

IS1706 IS1717 IS1388 IS1154

ulūkhala · jālaka · soma · kumbha-pāla — mortar · strainer · soma · keeper of the jars (M-1270, Mohenjo-daro)

That is the soma rite of the Ṛgveda, step by step: the plant is pressed in the mortar (ulūkhala, Ṛgveda 1.28), purified through the strainer (the whole of Book 9, soma pavamāna), and gathered in jars (kalaśa). The strainer–soma–jars run occurs in 4 texts: H-643 (Harappa); M-1270 (Mohenjo-daro); M-1338 (Mohenjo-daro); an unnumbered object (Dholavira).

The moon. In Ṛgveda 10.85 soma is the moon, which wanes as the deities drink it and swells again. IS1388 stands immediately before śukla-kṛṣṇa, the waxing and waning, in 3 texts (M-133, M-451, M-1427).

The plant and the grain. The same hatched branches mark IS1384 yava, barley. Barley and soma are the grain and the plant of the sacrifice, and the Ṛgveda mixes them (yavāśir, soma blended with barley).

IS1384 IS1388

A title of the seven sacrifices. M-580 (Mohenjo-daro) reads

IS1017 IS1585 IS1388 IS1740

sapta · yajña · soma · pati — seven · sacrifice · soma · lord: the lord of the soma of the seven sacrifices

How strong the soma formula is

Each run was compared with 5,000 shuffles of the whole corpus in which every sign keeps its usual kind of position — first, middle or last — so that "these signs simply sit early or late" cannot explain the result.

Sequence Texts Expected by chance Sites
jālaka · soma · kumbha-pāla 4 0.00 Mohenjo-daro 2, Dholavira 1, Harappa 1
jālaka · soma 5 0.16 Harappa 2, Mohenjo-daro 2, Dholavira 1
soma · kumbha-pāla 4 0.18 Mohenjo-daro 2, Dholavira 1, Harappa 1
ulūkhala · jālaka 1 0.20 Mohenjo-daro 1

Wherever two of the four signs — mortar, strainer, soma, keeper of the jars — share a text, they stand in the order of the rite 17 times and reversed 1 time.

What is not established: the mortar step rests on one text (1 against 0.20 expected). The formula proven by the test is strainer · soma · jars; the mortar is a strong hint, not yet a finding.

Sacrifice: the altar, the post and the sacred seven

Pairs that recur far more often than chance and belong to the Vedic sacrifice:

Pair Texts Expected by chance Sites
vedi · yūpa 4 0.23 Harappa 2, Mohenjo-daro 2
sapta · yajña 19 0.26 Mohenjo-daro 12, Harappa 4, Kalibangan 2, Rupar 1
sapta · vedi 14 0.26 Mohenjo-daro 8, Harappa 5, Khirsara 1

In the Śrauta rite the sacrificial post, yūpa, stands at the altar, vedi. Seven is the sacred number of the Ṛgvedic priests and offerings, and it attaches here to the sacrifice and to the altar.

Worship before the deity

A second group of recurring pairs belongs to a different practice:

Pair Texts Expected by chance Sites
vedikā · triśūla 69 4.13 Mohenjo-daro 31, Harappa 21, Dholavira 5, Lothal 5, Chanhu-daro 2, Allahdino 1, Hulas 1, Kish 1, Unknown 1, Gonur Depe 1
pañca-dīpa · paśupati 37 1.17 Mohenjo-daro 26, Harappa 8, Unknown 1, Gola Dhoro (Bagasra) 1, Rakhigarhi 1
sādhaka · paśupati 13 1.32 Harappa 6, Mohenjo-daro 6, Kalibangan 1
tilaka · tāla 4 0.11 Harappa 2, Mohenjo-daro 2
vandaka · yūpa 3 0.07 Mohenjo-daro 3

Lamps before the image, the forehead mark, cymbals and a shrine for the deity are the elements of pūjā, the worship of later Hindu temples, not of the Ṛgvedic fire sacrifice. The altar and the trident is the commonest ritual pair in the whole corpus.

What this shows, and what it does not